The combination of burned paper and oxidized metal creates a surface that feels unstable and alive, where the image is pushed toward abstraction and slowly absorbed by the corroded background. What emerges is a trace of something that once existed and is now in the process of disappearing.
Time is physically enacted through burning, corrosion, and erosion. Just like with the human body, the tension comes from this confrontation between presence and disappearance, between what the image once was and what Life has forced it to become. So then what remains is simply evidence of existence — scars, residues, and fragments shaped by time. The beauty of the work lies in this inevitability: accepting that erosion is not an accident, but the most honest state of being.